Four more from the 3-ring sketchbook

By this time I was really beginning to enjoy this sketchbook. It was getting near the end but I wanted it to last to the end of the month, so I kept adding pages. I wish it would have held another month so I could have begun the new year with a new sketchbook, but it was getting tight!




What I really like about sketching from movies (and yes, I do sometimes hit pause!), is that it doesn't require me to 'think' much. There are some movies which aren't as easy or interesting to sketch from...for instance, Jackie Chan movies. He is usually moving so fast that he is a blur almost every time I hit pause! Some movies are too dark. Some don't have interesting artifacts to sketch and all I end up with are people. One thing I don't worry too much about is getting likenesses. If I get it, great, if not, move on. Luckily I have a huge collection to choose from! I just don't want to lose the sketching or painting skills that I've built up. So this is practice without worrying about what, when, or where to sketch. It helps during stressful times.

3-ring sketchbook pages

When life gets chaotic and the opportunities or inclinations to go out and sketch about town are limited, I always resort to sketching favorite movies or youtube videos...especially if my creativity is running low. I've done a WHOLE lot of that in the last six to eight months. So much so that I could probably post something everyday for the rest of the year and still have images left over. I'm not going to do that because one, it allows me to hide the worst of the worst; and two, I want to eventually catch up and show you more current stuff. There was a noticeable improvement as I went along that I hope you will see too. Though, it is difficult sometimes with a scanner that just doesn't pick up certain colors. I've tried making adjustments in Corel, but the originals look so much better. Ah well, maybe that's an excuse to get a new scanner/printer?

The first spread is one I did while watching 'The Pyramid Code' on YouTube. Done directly in ink, so I'm happy with how it turned out. I love any documentary on Egypt or archaeology!

This was actually done from an article on The Daily Mail (UK). Again it is archaeology...so of course I had to do this page. The blue boxes which appear on these pages are just personal writings which are...you know, personal!

This page represents the beginning of a very long string of drawing/painting from movies. Seriously, I did almost one movie every night. Sometimes taking two nights if I've been busy. There are all kinds of shadows in that pipe which I couldn't, for the life of me, get to show up here.
I forgot to hit pause after the first sketch in order to do more sketches on part one...so I popped in part two and did a double feature. Had to get up and walk around for a while after that...too much sitting!

I'm so tempted to throw them all up here at once. Maybe when I catch up, I'll put one of these up next to one of the more current ones so you can see how much I improved on these. I love seeing that!

Breaking through the dry spell...

Remember this bust? I got her in January 2010 and I'm just now getting around to sketching her. I've not been sketching much at all lately--there is always something else that needs my attention, like cleaning or cooking dinner. I know it is nothing but procrastination, but unfortunately, it wins sometimes. No, I'm not proud of that fact, but there it is. Anyway, today was beautiful, in the eighties, sunny. I don't enjoy Texas summers much, so I figured I needed to spend as much time outside as possible before it gets here. I mean, eighties!!... in February!? Since the backyard is in that ugly stage it gets after dealing with a week of hard freezes, I picked the Diana bust off my desk to draw and carried all my supplies outside. This is modified contour in my Lamy Safari fountain pen with watercolor added. Limited palette of cadmium orange and pthalo blue. The colors on the scan aren't quite right, the background being more of a greenish blue.
One thing happened on this sketch that you wouldn't think would make me happy...but did. It has been a long time since I've really gotten into a sketch so much that the outside world fades away. If you look closely at her chin, you'll see a little 'blip' in the ink line. My husband had come through the back door, crossed about twenty feet of the back deck (wood, never quiet!), paused a sec, and then spoke. The noises had barely registered in my brain, so it startled me! Seems strange, perhaps, to be happy about something like that!?


I did this one yesterday and it is fairly obvious that I hadn't been sketching much. I did it for Julia Kay's portrait party. This is "Stacey" of staceysketches on flickr. Again, the scanner didn't quite get the colors right...the background is more of an orange color than pink. I wasn't happy with the results, but considering how rusty I was when I did it, I'll be thankful for what I managed!

This evening we went to Baytown and met up with my first cousin, once removed, who I hadn't seen 1986. I took my sketchbook, intending to draw in the restaurant (there were five of us, total, so the focus wouldn't just be on me). The thing is, I was too embarrassed to do it. It is easier for me to sit alone and sketch in public. If I'm with family, it somehow feels like I'm showing off. Do you sometimes get that? I read so many blogs where the artists do this all the time. Am I just being insecure?

First post in 2011

2011 started off very good for me art-wise. I was drawing, I was painting--I just wasn't posting. The words make me procrastinate. They are this huge mountain, a huge, insurmountable mountain. I suppose it wouldn't hurt to post without words now and then. In reality I like it when others use fewer words because it is easier to get through the hundred or so blogs that I check up on daily. Maybe I exaggerate, but only by a little.

This gal here I thought was from imagination. But, over on Yevgenia Watts blog, Watercolor Hands, I see a woman very similar(on the sidebar, three pictures down below her facebook icon) and I think I may have remembered it when I drew this. It isn't painted the same of course, but I can't help but see the influence. It is small: 1.5"x 2", watercolor and ballpoint pen.


These two are my paternal grandparents. I never met them because they both died when my father was a boy. I think about them sometimes, wondering what they were like. These were both painted on scraps and glued into my sketchbook. The one of my grandmother has the most resemblance. My grandfather didn't turn out very well at all, as far as likeness is concerned. He was very handsome. I suppose that teddy bear belonged to my father. They loved photography and we have a lot of pictures of them, just not any with both of them. Someone has to take the photo, right? I think I may revisit this and try to set them both up in the same picture. She died when my father was four, and on her picture, my grandfather wrote, "My Darling". I love that he did that.


This was done from a morguefile.com photo posted by earl53, ref#179348. I loved the sketch, but felt like I ruined the painting first thing by using a purple for the shading on the lighthouse. It was very sloppy, with me getting out of lines here and there. (obviously not concentrating!) So, I went over it with a micron pen. It's growing on me now. Definitely glad I didn't pitch it in the trash like I was tempted. In fact, I almost didn't even continue the painting after the purple, and only did because I viewed it as practice. My thought at the time was, well, it is already ruined so it can't hurt any.

Every thing else I've done this month has been of the doodle-type. A lot is happening around here, some things I cannot tell you just yet, but I'm excited about it. Dang, I'm terrible at keeping secrets and this one will drive me nuts! I best go now, before I slip!

Enjoying My New Brushes!

I'm really enjoying these new brushes, especially the da Vinci Maestro! What a lovely feeling it has! This top one is based on one of our family favorites, a black and white photo of my dad. I guess he was about four or so. I began with a pencil sketch, adding the watercolor; but, I didn't like it for some reason, so I added the ink. I didn't spend a lot of time fussing with the sketch and probably could have focused a little more on the hands, but I like it. It would be worth revisiting for a more serious painting sometime.
This one is from imagination. I love the feel of the brushes so much that I picked one up and just started putting down some color. This is what came out. No pencil first and only added a few lines when it was done: a line separating the lips, two dashes for nostrils, and lines defining the eyes. May be a few anatomical errors, but it was actually fun to go in without the pencil. It felt more like I was sculpting her face, than drawing it. The results surprised me, and I may try doing this more often.

Another doodlie-type post...

I know you're completely surprised to see a drawing of my hand--I just never do that! It is a modified contour that I went back and added some details and color to. Ignore the writing. I had some drawings above it that I had copied from other artists' sites. I really don't like posting stuff that I copied, so I cut them out. This was done on scrap w/c paper and will be pasted into my sketchbook. ('My Molie' is completely random. I'm not sure where it came from, but this is not a Molie!)



I actually don't remember where or how this came about. I often sketch while doing other things. I was testing out a technical pen I was just given and then testing the solubility of the ink. It's a simple sketch, but I like it.






This was done while watching a video online of how to paint trees with two colors. The two colors I've used are lemon yellow and prussian blue. I went back after the fact and added the lines with the same technical pen. This was an interesting exercise. Now, if I can just remember to do it like this! Sometimes I learn these things, then promptly forget to apply them.







This is a sketch of a sketch that I did. I was still playing with the technical pen. Messed up on the hand a little, but I liked the way the mouth and the nose came out. Splashed on the paint and called it Self-portrait #12 of 100. I'm moving along very slowly on this project. It's a good thing I didn't set a time limit!

All of these are on scraps of the canson XL 140 lb watercolor paper. I'm working on getting to know the paper a little better since I had such a rough start with it. I've got too much of it left to let it go to waste!

PS Thank you to all my new followers! I always try to find the blogs of all my followers, so I can follow you too. So, if I've not done that, it is because when I clicked your icon, it didn't give me a link. If you have a blog you would like me to see, please send me an email or a comment! I like to share the love!

An Elephant Post

I love elephants. I love their eyes and the way they move. I love how you can look at their faces and see expressions there. (or is that imagined?)

There is an artist that I saw in a book one time that drew elephants, cartooned in ink with very energetic lines. I wish I could remember his name; those sketches were so inspiring. If you think you might know who I'm talking about, please leave a comment! The above sketch was done from imagination/memory and I found that it was not so easy to do. My memory of how it's ears are shaped, the way the head moves into the shoulders was minimal, at best. I couldn't even finish because I just didn't have enough information in my head to do it. I think I'd like to focus on elephants for awhile. It would be nice to sketch an elephant that looked anatomically correct without a photo reference.

I did this one from a photo on morguefile, posted by JDurham. (ref# 660685). It was done on the bottom corner of my page, so I wasn't able to get the entire body in; well, I guess I could have if I had drawn smaller! As you can see, I couldn't decide what color to paint his skin, so I just tried different things. A little purple, a little blue, a little of this or that. It was fun to do.

This photo was posted on morguefile by KeithCr, ref # 87221. I love this photo! It started as a gestural sketch, but I kept going because I liked it. This one may need a watercolor version-- he's so cute! (In the recesses of my mind, I am praying that he is treated well and is happy!)
Another gestural sketch of an elephant posted by katmyspiry, ref# 61608, on morguefile. This was the last one of the night, and it was late. I wanted to keep going but the eyes weren't cooperating anymore. The other sketches on the page were done on an earlier date, when I was trying desperately to sketch my way through that block. Unfortunately I didn't write down the reference numbers or the names of photographers, but they also come from morguefile.

With the exception of the first one, and the people sketches on the last page, these were all done last night. I was just in the mood for sketching some elephants!

UPDATE: Thanks to Timothy Schorre, I have found the elephant artist! It is Heinrich Kley! Some is bizarre, but I love, love, love his elephants!

Moleskine Exchange, First Entry

This was not easy for me! I had already felt the block coming, then to receive Dan's moleskine...it was enough to send me reeling into the abyss. But, I've done a lot of thinking about that block and this is what I decided- Focusing too much on learning watercolor, I was doing quick sketches in order to add some color and play with the paint. It doesn't sound like a bad thing, does it? But, by doing quick sketches and immediately going to the painting, I was never allowing myself to get into the sketch zone. (Saying that reminds me of the "Suck zone" from the movie Twister!) It didn't take long to loose my rhythm, and the pencil began to feel awkward in my hand. I learn a lot by watching Wil, and I noticed that even though he paints, he still does a lot of sketching. I never realized that I could be doing art everyday, and still not be doing enough drawing to maintain skill. I need to paint to get better at painting, but still need to sketch to not get worse at sketching! And a good sketch is important to a good painting!

So this is what I initially showed Dan as my first entry. I was excited that he noticed how I played with the light to which he had hinted with the sunglasses on his figure. Because the lady I drew had her back to that light, I pushed her sunglasses up on her head, then added the shadows. He noticed that I had kept it in pencil and asked what my thoughts were on that. Well, my thoughts were that I hoped he wouldn't notice!! Or that he would choose to ink that himself because my pen and I hadn't been getting along very well! I knew it needed to be inked though, so I did go back and do it. Luckily I didn't make a mess and I do think it looks better now.



Deciding what to add to Dan's drawing was very difficult for me. Did I want it to be more of a montage of sketches? Should I start telling a story? Of course, crazy ideas popped into my head, playing with scale, putting bizarre people in the background. The possibilities were endless and overloaded my brain! So, I just decided to keep it simple. Dan's figure was turned and I felt she needed to be looking at something. Perhaps it is not the most creative solution, but considering my recent state of mind, it needed to be simple. Maybe next time I'll pull out the wild card!

Where did the beginning of March go?

Sorry for the lack of posting lately. It isn't that I haven't been drawing-I have! But, a lot has been copying the works of other online artists whose work I enjoy. I can't post those. Plagiarism and all.

Another thing slowing me down is the writing part of blogging. It makes me procrastinate. I wrestle with words; we have a tumultuous relationship. Sometimes they come easily, sometimes they don't. I do better when I'm reading a lot, but that hasn't been the case lately. Too busy sketching!

Yesterday I drew a very loose pencil sketch of my husband tilling the soil in our garden. It had energy and I was excited by the results. I sketched it in my exacompta sketchbook which takes light washes fairly well. Then I started adding a little watercolor. Starting with my husband, things were going fine. But then I came across a portion of the page which must have had something on it because it didn't want to accept paint. I wish I had left just my husband, the tiller, and the dirt painted because I couldn't fix the sky and the fence after that fiasco. I went over my pencil sketch with a micron pen in sepia because the loose pencil lines got lost in all the mess. The paper will fall apart if I do any more, so it must stay this way.

This little girl is Sarah, my uncle's Mexican chihuahua. She's taller the most chihuahuas you see in the US, and doesn't have that roundness at the top of her skull. And unlike most chihuahuas, she rarely barks. That's my kind of dog! This is done in my moleskine sketchbook in pencil, with a little bit of colored pencil added. I don't like the way it scanned. In my sketchbook, it doesn't appear to have the dark dark outlines. I think it's because I did a little with black colored pencil, which scans better than the graphite pencil. This was done from a photo, fairly quickly. I tried not to get too fussy with it.

These two sketches are also in my moleskine sketchbook. (You probably remember the watercolor dude-thing, whatever he is, he got taped in here a while back.) I drew the girl from imagination with my Lamy Safari fountain pen and noodler's eternal black. After it dried, I added tone with a uniball micro which is water soluble, and then brushed with water.

The cat is Eddie, the one that adopted us last summer. We couldn't let him in our house because of our other cat, so we found him a good home with one of our neighbors. He is now a very happy, and spoiled cat who refuses to take one step out their door! I think his previous owners may have abandoned him and he's afraid it will happen again. He's done in 3B pencil.

This month marks the end of my first year of blogging and being a member of EDM. To celebrate, I'm preparing a give-away. I have three books and the winner will get to choose the one they want. I should have that post up in the next day or two. Hope you'll check back soon!

Oh, one more thing! For those of you who haven't already heard, Dan and I have started a new blog to showcase a project that we've started together. We are mailing a sketchbook back and forth from Florida to Texas. Our purpose is to challenge ourselves to improve, and stretch ourselves as artists. There is something about doing these exchanges, which pushes you to do your very best. It will be nerve-wracking at times, but that is the very thing that makes me try harder. We hope you'll stop by to visit, here.

Portraits, doodles in watercolor

Remember this ? I was afraid to paint it "at the moment", and though I said I would be getting to it right away, I lied. I only did this last night. The background was too intense so I did a glaze over it to tone it down. Let me just say, I find red hair extremely difficult to do. It was much darker than this in reality. And I'm still trying to figure out how to do shadows on people. Do you go with more saturated skin tone color, or do you add blue, or what? How do you create your shadows? Overall I like this. I just don't look at it too closely because my inner critic will begin picking it apart.



Okay, this, this is someone I love and miss very much. I wish she lived closer and that I could see her more often. It is done from a dark photo of her in a cave, where details are often hard to discern. Like the glasses on her head. They just looked like a continuation of her hair in the photo. I almost didn't even notice them, except she had weird-shaped hair which would never happen in reality because she's beautiful, always. I only see a resemblance here. She may not even think it looks like her at all. Especially the skin tones! I'm still having difficulty getting those down correctly, so her beautiful glowing tan looks more like a sunburn! So my message to this person is, don't be offended, I'm still learning here! Oh, and LOVE YOU!


I went back to this and toned down the background with a glaze. Thanks Dan for the suggestion! There is some improvement, though I think it may need another glazing. I'll probably just leave this one alone though. Never was too excited about it to start with!






This ocean scene is only about 1" X 3". I did it for study purposes only and from imagination. I wanted to get better at doing clouds and this is the one, out of about five, that I liked best. I got the idea for doing it from Barbara Weeks. She did some really great studies at the beach.

I've also recently been awarded the Over-the-Top award by Jennifer Edwards, and the Sunshine Award by Cathie Tonkins. I haven't forgot about these; I promise to get to them soon! Thank you both for thinking of me!

Mini Portraits

I profess no political ideologies with this sketch. President Obama's photo was there and I was looking for something to sketch. I didn't get a very good likeness. In fact, I was pretty careless about it. His eyeslant was actually the opposite of what I drew, but I couldn't change it since I sketched in ink first. The sketch is approx one inch by one inch.


This was sketched while I was watching Coraline. It is supposed to be her, though when I added the watercolor, the ink was not yet dry and it messed up her nose and her hair doesn't look as blue anymore. This is also quite small at about an inch high. Has anyone seen this movie? I was a bit shocked by the dancing ladies scene and had to go see the rating on it. It's PG-13, not G! The artwork was great, I just wasn't very keen on the story.



This guy, also only an inch in width, is from imagination and was sketched with my Pentel Pocket Brush. I cannot sketch from life with this pen! With all of the blind contours that I've done, I've trained myself to rarely look at the page. But, when using a brush it seems like you need to pay attention to how thin or how fat a line is; this isn't something that I have a "feel" for yet. Do any of you out there draw with your Pentel brush pen while not looking at the paper? Is this a skill you can develop with practice?

There is something about me that I'm just starting to recognize. It seems that if I say I'm going to focus on one thing, I end up doing the opposite! For instance, I said I would focus on tone with pencil for the year; but suddenly I hardly want to mess with sketching at all I'm in such a rush to get to the watercolors. If I say I'm going to focus on learning watercolors, suddenly all I can do is sketch! It makes me feel like I can't move forward. Is it fear or is it boredom, or is it that I like to do it all and need variety?

I've also noticed that I'm starting to doodle more in watercolor. This is new to me, since I normally doodle in ballpoint or pencil. I like that change. I also like these tiny little messy portraits.

Well, I hope everyone has a wonderful Valentine's Day!

Grandma and Dominoes

When my husband's grandma saw that I sketched, she asked me to do her portrait, like one of her friends had had done. She (grandma, not her friend) had just broken her hand several days before and wasn't able to fix her hair, so she just told me to put it into a bun. This didn't quite capture her, so I'll use it as a practice run for the watercolor and I'll try it again. She's 88 years old and looks fabulous for her age!






This was the family, sitting around the kitchen table playing dominoes this afternoon. They were a little bent out of shape because I didn't want to play, but how could I when I had this perfect opportunity to sketch?? I started off too large and then tried to squeeze everyone in. So, no, they were actually able to see each others dominoes! I probably wouldn't have survived anyway; this is a very competitive group! It was difficult to capture much of a likeness (not much there) because they moved, but so subtly that it was difficult to notice.

GAH!

Whoa! Things went from bad to worse when I added watercolor to my sketch! I've heard about the wax repelling the watercolor in the moleskine sketchbook, but I had had a more successful attempt earlier on a smaller sketch, so I thought I could pull it off. To hide some of the awfulness, I then added some watercolor pencil. That only helped a little, so I then went over it with the ink. I'm not really happy with it, but I blame it on the paper instead of myself this time. Anyway, the pencil sketch was dull and needed some life. This is an improvement from that.

I forgot to paint the rearview mirror. It is bland anyway...only shades of gray since all I could see was the ceiling. I really really wanted it to have my husbands face in it, but he wouldn't let me move it. He said, "Besides, you would be cheating because that isn't what you see!"

Some old stuff

The first drawing was done while a student at Texas A&M University, back in the early nineties. The second two were done in 2001, while living in Boise. I briefly took a watercolor class from Roland Giampaoli. Unfortunately I had to quit because the business my husband and I had opened started to take off and was too busy for me to be away. (maybe not so unfortunate!) I cannot claim to have drawn the pictures, since Roland gave us drawings to copy from and then paint however we wanted. I tended to paint stormy skies because that is something I really missed about Texas at the time. I love a good thunderstorm!