Breaking through the dry spell...

Remember this bust? I got her in January 2010 and I'm just now getting around to sketching her. I've not been sketching much at all lately--there is always something else that needs my attention, like cleaning or cooking dinner. I know it is nothing but procrastination, but unfortunately, it wins sometimes. No, I'm not proud of that fact, but there it is. Anyway, today was beautiful, in the eighties, sunny. I don't enjoy Texas summers much, so I figured I needed to spend as much time outside as possible before it gets here. I mean, eighties!!... in February!? Since the backyard is in that ugly stage it gets after dealing with a week of hard freezes, I picked the Diana bust off my desk to draw and carried all my supplies outside. This is modified contour in my Lamy Safari fountain pen with watercolor added. Limited palette of cadmium orange and pthalo blue. The colors on the scan aren't quite right, the background being more of a greenish blue.
One thing happened on this sketch that you wouldn't think would make me happy...but did. It has been a long time since I've really gotten into a sketch so much that the outside world fades away. If you look closely at her chin, you'll see a little 'blip' in the ink line. My husband had come through the back door, crossed about twenty feet of the back deck (wood, never quiet!), paused a sec, and then spoke. The noises had barely registered in my brain, so it startled me! Seems strange, perhaps, to be happy about something like that!?


I did this one yesterday and it is fairly obvious that I hadn't been sketching much. I did it for Julia Kay's portrait party. This is "Stacey" of staceysketches on flickr. Again, the scanner didn't quite get the colors right...the background is more of an orange color than pink. I wasn't happy with the results, but considering how rusty I was when I did it, I'll be thankful for what I managed!

This evening we went to Baytown and met up with my first cousin, once removed, who I hadn't seen 1986. I took my sketchbook, intending to draw in the restaurant (there were five of us, total, so the focus wouldn't just be on me). The thing is, I was too embarrassed to do it. It is easier for me to sit alone and sketch in public. If I'm with family, it somehow feels like I'm showing off. Do you sometimes get that? I read so many blogs where the artists do this all the time. Am I just being insecure?

Sketchbook Miscellany

Finally there was a day when I could sit outside and comfortably sketch without feeling the oppressive heat suffocating me. My husband was working on a lawnmower in the garage. I sat in a camping chair out front, in the shade. Of all the things I was surrounded by, this dirty old gas can is what I chose to sketch! (well, technically, I guess everything out there is dirty!) I sketched it in pencil. Then I used tracing paper to transfer it to watercolor paper. I knew of this technique, but believe or not, I had never tried it. I think one of the advantages of it is not worrying about messing up the original sketch. Definitely something to remember if you've lost your confidence or if you would just like to try painting with different techniques!


Sketches from posemaniacs. I had just about forgotten this site existed until someone posted some sketches they did. I filled nine pages (9"x12" sketchbook) with 30, 60, and 90 sec gesture drawings. Then, I went to random pose and did these sketches, untimed. I'm not sure how long they took, 5 mins or so? And for the first time, I realized I could keep the same pose and sketch it from a different angle. (The two on the left are the same pose, rotated slightly.)


This was done mostly while watching Pirates of the Caribbean. I paused the scene at the pier to draw the two men. I loved the guy's face on the left. Very unique! Started as a blind contour in ballpoint, so his face is somewhat skewed, but I like how it gives it a caricatured look. Then I drew the skeleton, bottom left, from memory. I have a photo of a skeleton head that I drew from next, to see how much I had retained in my memory sketch. More meerkats, started blind contour, shading and texture then added. This page was fun to do. See the tilted girl? Do you do that? Seems like there is always at least one drawing on my page which somehow ends up cockeyed!



This is self-portrait #11 of 100. (A redo of it, actually, as the first one was a disaster!) After the first sketchbook I bound, I actually made another, thinner one, using a different paper. Easier to carry around! My first one is a little wonky and I discovered that I had folded the pages against the grain instead of with it. So, this book actually turned out much better! However, I've now made another discovery. I really DISLIKE the Canson XL 140lb watercolor paper I bound in it! (I think it might be their student grade. ) Everything I've done on this paper has turned out dull and sort of fuzzy. It doesn't hold up to scrubbing at all! Here, I had a sketch that I really liked. I made a small mistake near the chin area, and using a technique that Dan told me about, I tried to gently scrub it away. And, I emphasize that I was gentle! Terrible results! The paper disintegrated and nothing I did would fix it. I only realized that it was the paper, and not me, while reading Cathy Johnson's Creating Nature in Watercolor, which I just purchased. (I love the book, Cathy!) Suddenly I realized that I had not done a single painting on this paper that I liked! And really, I think it was this blow to my confidence which started the whole block I've been suffering lately!

Feet and Hands

A certain theme runs through most of my sketchbooks--because wherever you are, if you don't feel inspired by your surroundings you can always fall back on these...hands and feet. They are supposed to be one of those difficult tasks when drawing people, so why not get all the practice you can; right? Let me tell you, I do get lots of practice!

This sketch appears about once a month, almost always exactly like this...sketch too close to the top of the page to get the whole thing in, holding the side of my sketchbook. You think I would be tired of doing it but somehow I find it more interesting than my surrounding! Maybe I should take this as a sign than I need to redecorate?

This would actually not be my own feet, and I really enjoyed getting a view I wouldn't otherwise be capable of getting. These are my mother's feet. She had them pulled up onto the couch as we watched "Castle". She had figured out what I was doing by the time I got to her bottom foot, was itching to move, so I rushed and couldn't seem to get the size right. It appears smaller when it should, in reality, appear slightly larger as it was closer.

This may look odd at first. I was sitting in my backyard trying to find something to sketch. So, in a very unladylike manner, I threw my leg up onto the table and sketched. Luckily no one can see into our backyard as I would never sit like this in public!! Could you imagine doing this at a restaurant? Of course, I would hope you would be inspired to draw something other than your foot!


Decided to add watercolor, even though it wasn't watercolor paper. The plants in the background are supposed to be my tomato plants and that is asparagus in the very back, next to the wall. Edited out were my rosemary, chives, and parsley. The gray of the concrete didn't scan well, so it loses a little of the depth.

So, how often do you resort to your hands and feet?

Where did the beginning of March go?

Sorry for the lack of posting lately. It isn't that I haven't been drawing-I have! But, a lot has been copying the works of other online artists whose work I enjoy. I can't post those. Plagiarism and all.

Another thing slowing me down is the writing part of blogging. It makes me procrastinate. I wrestle with words; we have a tumultuous relationship. Sometimes they come easily, sometimes they don't. I do better when I'm reading a lot, but that hasn't been the case lately. Too busy sketching!

Yesterday I drew a very loose pencil sketch of my husband tilling the soil in our garden. It had energy and I was excited by the results. I sketched it in my exacompta sketchbook which takes light washes fairly well. Then I started adding a little watercolor. Starting with my husband, things were going fine. But then I came across a portion of the page which must have had something on it because it didn't want to accept paint. I wish I had left just my husband, the tiller, and the dirt painted because I couldn't fix the sky and the fence after that fiasco. I went over my pencil sketch with a micron pen in sepia because the loose pencil lines got lost in all the mess. The paper will fall apart if I do any more, so it must stay this way.

This little girl is Sarah, my uncle's Mexican chihuahua. She's taller the most chihuahuas you see in the US, and doesn't have that roundness at the top of her skull. And unlike most chihuahuas, she rarely barks. That's my kind of dog! This is done in my moleskine sketchbook in pencil, with a little bit of colored pencil added. I don't like the way it scanned. In my sketchbook, it doesn't appear to have the dark dark outlines. I think it's because I did a little with black colored pencil, which scans better than the graphite pencil. This was done from a photo, fairly quickly. I tried not to get too fussy with it.

These two sketches are also in my moleskine sketchbook. (You probably remember the watercolor dude-thing, whatever he is, he got taped in here a while back.) I drew the girl from imagination with my Lamy Safari fountain pen and noodler's eternal black. After it dried, I added tone with a uniball micro which is water soluble, and then brushed with water.

The cat is Eddie, the one that adopted us last summer. We couldn't let him in our house because of our other cat, so we found him a good home with one of our neighbors. He is now a very happy, and spoiled cat who refuses to take one step out their door! I think his previous owners may have abandoned him and he's afraid it will happen again. He's done in 3B pencil.

This month marks the end of my first year of blogging and being a member of EDM. To celebrate, I'm preparing a give-away. I have three books and the winner will get to choose the one they want. I should have that post up in the next day or two. Hope you'll check back soon!

Oh, one more thing! For those of you who haven't already heard, Dan and I have started a new blog to showcase a project that we've started together. We are mailing a sketchbook back and forth from Florida to Texas. Our purpose is to challenge ourselves to improve, and stretch ourselves as artists. There is something about doing these exchanges, which pushes you to do your very best. It will be nerve-wracking at times, but that is the very thing that makes me try harder. We hope you'll stop by to visit, here.

Portraits, doodles in watercolor

Remember this ? I was afraid to paint it "at the moment", and though I said I would be getting to it right away, I lied. I only did this last night. The background was too intense so I did a glaze over it to tone it down. Let me just say, I find red hair extremely difficult to do. It was much darker than this in reality. And I'm still trying to figure out how to do shadows on people. Do you go with more saturated skin tone color, or do you add blue, or what? How do you create your shadows? Overall I like this. I just don't look at it too closely because my inner critic will begin picking it apart.



Okay, this, this is someone I love and miss very much. I wish she lived closer and that I could see her more often. It is done from a dark photo of her in a cave, where details are often hard to discern. Like the glasses on her head. They just looked like a continuation of her hair in the photo. I almost didn't even notice them, except she had weird-shaped hair which would never happen in reality because she's beautiful, always. I only see a resemblance here. She may not even think it looks like her at all. Especially the skin tones! I'm still having difficulty getting those down correctly, so her beautiful glowing tan looks more like a sunburn! So my message to this person is, don't be offended, I'm still learning here! Oh, and LOVE YOU!


I went back to this and toned down the background with a glaze. Thanks Dan for the suggestion! There is some improvement, though I think it may need another glazing. I'll probably just leave this one alone though. Never was too excited about it to start with!






This ocean scene is only about 1" X 3". I did it for study purposes only and from imagination. I wanted to get better at doing clouds and this is the one, out of about five, that I liked best. I got the idea for doing it from Barbara Weeks. She did some really great studies at the beach.

I've also recently been awarded the Over-the-Top award by Jennifer Edwards, and the Sunshine Award by Cathie Tonkins. I haven't forgot about these; I promise to get to them soon! Thank you both for thinking of me!

A Glorious, Sunshiny Day!!

The sun came out and I could think of no better way to celebrate the occasion than to lie down in the grass, smell the earth, and soak up some of that precious vitamin D I've been craving! (well, no better way that was practical at the time!) Of course, I had my sketchbook with me, much to the dismay of my fellow celebrator!


This began as a blob of paint that I used to test the paper of a new journal I got from Hobby Lobby-- a 7" X 10" spiral bound Canson Mixed Media journal. About a week later, I was wanting to doodle but felt stymied by the blank white page, so I flipped back through previous pages looking for a place to stick a doodle. That is what all the mini portraits were about...fear of facing a new white page, and instead of jumping in there, I found small places on previous pages to cram in some sketches. Well, at least I did draw! And the picture above is that fearsome blank white page.


This is another of those tiny portraits I did. An inchie. It is loosely based on Capt Elaine's profile photo. Really, I should say "influenced by" because I really, really felt like drawing and I saw her icon and in a couple of seconds had this down. I know Elaine has to be thinking, that doesn't look like me at all! And she would be right. I was basically jotting down the composition, maybe we could just call it taking visual notes. I loved the way the dog came out.


I caught this guy's profile for only a second. I was happy with how well I caught his likeness. Only, he was walking, and was wearing an orange jumper. I didn't get any of that down fast enough so I made up this little scene. The orange came out a little (lot) stronger than I like. I think I'll go back and change the color of the background. There's too much competition with his face.

Mini Portraits

I profess no political ideologies with this sketch. President Obama's photo was there and I was looking for something to sketch. I didn't get a very good likeness. In fact, I was pretty careless about it. His eyeslant was actually the opposite of what I drew, but I couldn't change it since I sketched in ink first. The sketch is approx one inch by one inch.


This was sketched while I was watching Coraline. It is supposed to be her, though when I added the watercolor, the ink was not yet dry and it messed up her nose and her hair doesn't look as blue anymore. This is also quite small at about an inch high. Has anyone seen this movie? I was a bit shocked by the dancing ladies scene and had to go see the rating on it. It's PG-13, not G! The artwork was great, I just wasn't very keen on the story.



This guy, also only an inch in width, is from imagination and was sketched with my Pentel Pocket Brush. I cannot sketch from life with this pen! With all of the blind contours that I've done, I've trained myself to rarely look at the page. But, when using a brush it seems like you need to pay attention to how thin or how fat a line is; this isn't something that I have a "feel" for yet. Do any of you out there draw with your Pentel brush pen while not looking at the paper? Is this a skill you can develop with practice?

There is something about me that I'm just starting to recognize. It seems that if I say I'm going to focus on one thing, I end up doing the opposite! For instance, I said I would focus on tone with pencil for the year; but suddenly I hardly want to mess with sketching at all I'm in such a rush to get to the watercolors. If I say I'm going to focus on learning watercolors, suddenly all I can do is sketch! It makes me feel like I can't move forward. Is it fear or is it boredom, or is it that I like to do it all and need variety?

I've also noticed that I'm starting to doodle more in watercolor. This is new to me, since I normally doodle in ballpoint or pencil. I like that change. I also like these tiny little messy portraits.

Well, I hope everyone has a wonderful Valentine's Day!

Lessons relearned?

This sketch taught me many things. One, I'm not as intelligent as I liked to believe. I knew, absolutely knew that watercolor is difficult on the Moleskine Sketchbook. Two, when you know you are not feeling patient, don't start putting in the bricks. Three, don't take on a building with a complicated awning in fountain pen, when you haven't used one in quite a while, and you didn't check to see that it was full.Very unhappy overall, though I've managed to hide some of the yuckiness for you, with the magical powers of Corel Painter. I'll call it mixed media and turn the page. Tomorrow is another day. Think I'll go back to people! At least if they move I'll have something to blame! ;)

Not so perfect, but it's something

I didn't participate in the 23rd Sketchcrawl yesterday. I wanted to, but things came up unexpectedly. So I ended up spending quite a bit of time trying to post to the new EDM Superblog2. Thus far I've been unsuccessful. While taking a break away from that frustration, I went to my backyard and sketched. This is fountain pen on notebook paper. And I wasn't trying to be so perfect. You'll notice the car on the right...I started to draw the part that showed on the left of the tree, then got interrupted before starting the part on the right. I wasn't really back into it when I drew that side, and it shows. Oh, and the wheelbarrow ended up floating somehow, so I put a box looking thing under it. Things like this happen to me a lot because I rarely look down at my paper until I add shading or texture.

By the way, I pretty much ruined the drawing of my husband at Starbucks. Maybe I'll try to fix it later.

I'm alive!

Whoa! So much has happened since my last post--though not much in the way of sketching--that, to tell it all, I will have to break it up into digestible chunks!

Thank you Dan for the kick in the pants to get going again! I had a good laugh when you said you checked to see if I posted, and then you didn't feel so bad for not posting either! Funny thing is, I do the same, only now instead of saying, "well, I'm still a post ahead of him", it's "well, I'm only one or two behind. I can still catch up!" And Wendy, thank you for the nice email and the encouragement to continue! And thank you to everyone who has left comments!

Things have been a little hectic around here. And maybe the weather is adversely affecting my attitude. I'll get into that next time. For now, here is a sketch I did in ink and colored pencil. It is from a photo on morgue.file. (the ones that are free use) Unfortunately, I forgot to get the information about it, since I never intended to post this one. (But, right now I'm desperate for material!)

The next picture is me, drawn by my very talented six year old niece. Don't you just love the expression in the eyes? Oh, and she didn't leave anything out, including the sparkle in my teeth, and the scar from the wasp sting between my eyes!!! (I do have eyebrows though :))

update: found the photo used as reference! http://www.morguefile.com/archive/display/75878