International Quilt Festival in Houston 2011

I recently attended the International Quilt Festival in Houston for the second year in a row. Not that I have even the remotest interest in quilting, but because I go to meet up with Shirley and any other acquaintances from blogland that attend. This year I also met Melanie Testa, Ricë Freeman-Zachery, and Jane LaFazio. I also made new friends: Roz (not Stendahl, but I somehow didn't get her card so I don't have a link!), Cheryl Sleboda and Judy Coates Perez. I loved being around so many creative people!

Our first stop was the vendor section. I began perusing all the gadgetry and baubles and knickknacky-type stuff so popular with mixed-media artists. I was overwhelmed by the sheer amount of it and by the crowd of people around me. And then I learned a big lesson from Shirley. I glanced over to where I had seen her last and there she was, already sketching. She had pulled this old lock out of a basket and wasted no time getting down to business. So I joined her. I added the paint and the border later at home.

It is quickly becoming a tradition with us to head over to the art-dolls for some sketching time. The above doll is called "Allergic to Dogs" and is by Neva Waldt. It was among the most popular of the exhibit. And as I stood in front of this one sketching, getting jostled about by others trying to get a better look, I felt a bit of annoyance with me for taking the best viewing spot. I stood my ground though, sketched quickly, so I could get out of the way.

I was worried about adding the paint to this. I've been working in a giant sketchbook with drawing paper in it which turns everything grayish. I was beginning to believe that I had forgotten how to paint with cleaner colors. But all fears were laid to rest with this. Though the scanner hardly does any justice to it at all, the colors are rich. I'm very happy with this one; I wish you could see it in person!

This was another very popular doll. Everyone's first response was to laugh, and then lean in to appreciate the wonderful face, which is made of cloth by the way. I sketched this one from a photo. It was only when I started writing in the information on the page that I realized it was also by Neva Waldt. This one is titled 'Myrtle Hits the Beach'. Isn't that t-shirt she's wearing a riot? I've seen them around and wondered who would wear such a thing, but somehow it seems perfect for her. I went back through my photos and realized that of the five taken of the dolls, three of them were from this artist. What talent!
I'm really disliking my scanner. I had to go in and darken the blue background and the gray of her hair just to get the colors to show. I liked it better before, but I'm still happy enough. I'm thinking about making the background darker so she pops out better. Think I should do it?

This one was done in that big sketchbook that turns everything gray. I never intended it to be the sketch of this doll that I post, but liked the way she turned out. It is called "Fine Feathered Friends" and is by Nancie Roach. The doll had such a pretty face!

And here we are! I think if I smiled any harder my cheeks would burst! I had such a great time, I hope even more of you can make it next year!

Breaking through the dry spell...

Remember this bust? I got her in January 2010 and I'm just now getting around to sketching her. I've not been sketching much at all lately--there is always something else that needs my attention, like cleaning or cooking dinner. I know it is nothing but procrastination, but unfortunately, it wins sometimes. No, I'm not proud of that fact, but there it is. Anyway, today was beautiful, in the eighties, sunny. I don't enjoy Texas summers much, so I figured I needed to spend as much time outside as possible before it gets here. I mean, eighties!!... in February!? Since the backyard is in that ugly stage it gets after dealing with a week of hard freezes, I picked the Diana bust off my desk to draw and carried all my supplies outside. This is modified contour in my Lamy Safari fountain pen with watercolor added. Limited palette of cadmium orange and pthalo blue. The colors on the scan aren't quite right, the background being more of a greenish blue.
One thing happened on this sketch that you wouldn't think would make me happy...but did. It has been a long time since I've really gotten into a sketch so much that the outside world fades away. If you look closely at her chin, you'll see a little 'blip' in the ink line. My husband had come through the back door, crossed about twenty feet of the back deck (wood, never quiet!), paused a sec, and then spoke. The noises had barely registered in my brain, so it startled me! Seems strange, perhaps, to be happy about something like that!?


I did this one yesterday and it is fairly obvious that I hadn't been sketching much. I did it for Julia Kay's portrait party. This is "Stacey" of staceysketches on flickr. Again, the scanner didn't quite get the colors right...the background is more of an orange color than pink. I wasn't happy with the results, but considering how rusty I was when I did it, I'll be thankful for what I managed!

This evening we went to Baytown and met up with my first cousin, once removed, who I hadn't seen 1986. I took my sketchbook, intending to draw in the restaurant (there were five of us, total, so the focus wouldn't just be on me). The thing is, I was too embarrassed to do it. It is easier for me to sit alone and sketch in public. If I'm with family, it somehow feels like I'm showing off. Do you sometimes get that? I read so many blogs where the artists do this all the time. Am I just being insecure?

Bitten by the Dog Days of Summer

Whew! It's been ages since I updated, longer if I go back to the last art I posted. This summer hasn't been great for me. I am not prone to sulking or depression, but I'm an outdoorsy type and Houston just had the hottest August on record. I do not like heat, especially with high humidity. It had me thinking about Boise, and wishing I still lived there. I lived right on the Boise greenbelt, which runs straight through the middle of town next to the Boise river. From the greenbelt I walked to Boise State University (not as a student), the library, the post office, the grocery store (when I only needed a few items!), 8th St marketplace, the zoo, numerous parks. You get the idea. I was outside all the time; lots to draw too. So, in my sulky state, I complained about not having anything to walk to...everything is spread out. Not that it matters because who would want to walk here?! And what the heck is one supposed to draw around here, a barbed wire fence? To compound my problem, after doing numerous remodel jobs in the house, which was exhausting but satisfying, I got out of the habit of sketching. I made a sketchbook, then another. But when I picked up my pencil to add the first sketch, I couldn't get into my groove and it turned out terribly and now I have to look at it every time I pick up my sketchbook. I have struggled with trying to get it back for several weeks now. (Upper left: morguefile photo: ref id# 208873 by LU311 done in pencil and watercolor; Upper Right: A very small gesture sketch of a fleeting moment, done in ballpoint. )

For Labor Day weekend, we had my brother-in-law's family come for a visit. My 7 year old niece, whose work I've posted here before, loves to draw. I gave her a sketchbook last year and in it we are writing a story and illustrating it. We drew tons this weekend, all of it from imagination (very unusual for me). I was really getting into the groove by the third day, feeling like that dreamy child again. In the story, my husband and niece and I are always getting captured and we have to use our super powers to get free and conquer the bad guys. After watching "The Spy Next Door" (Jackie Chan movie), we suddenly remembered we were Master Ninjas. I do wish I had remembered to scan in some of our artwork to show you! I know that you would have been impressed with her talent!

Here is a very quick sketch of my niece. She looks very serious here, but believe me, she is nothing but energy and giggles! I asked her to be my model and hold still. I laughed when she instantly went rigid with her arms straight down at her side, her eyes unblinking. After I got her a little more relaxed, with her arms folded, she asked me how long this would take, to which I replied that sometimes it could take hours. Her eyes went huge! This sketch might have taken five minutes; that is all she could take.


I have since filled six pages of my larger sketchbook, hoping to break this spell. I think it is working, I do feel lighter/less burdened. Left: Wishing at was at the Urban Sketchers Symposium. Pencil sketches from photos posted on their site. Orange background added in Photoshop. (It made the sketches stand out more.) Right: Sketches with my Lamy Safari using morguefile photos as reference.

And the heat has finally broken. We are only in the seventies today, as we are getting pummeled by Tropical Storm Hermine. It has been dark and rainy all day, but to me it is much preferred over August's weather. This is the view out of my studio window at the moment. Let's hope that I've gotten over my moping and that I remember next year, when it is summer and miserable again, to at least keep drawing as that is what normally keeps me happy!

Feet and Hands

A certain theme runs through most of my sketchbooks--because wherever you are, if you don't feel inspired by your surroundings you can always fall back on these...hands and feet. They are supposed to be one of those difficult tasks when drawing people, so why not get all the practice you can; right? Let me tell you, I do get lots of practice!

This sketch appears about once a month, almost always exactly like this...sketch too close to the top of the page to get the whole thing in, holding the side of my sketchbook. You think I would be tired of doing it but somehow I find it more interesting than my surrounding! Maybe I should take this as a sign than I need to redecorate?

This would actually not be my own feet, and I really enjoyed getting a view I wouldn't otherwise be capable of getting. These are my mother's feet. She had them pulled up onto the couch as we watched "Castle". She had figured out what I was doing by the time I got to her bottom foot, was itching to move, so I rushed and couldn't seem to get the size right. It appears smaller when it should, in reality, appear slightly larger as it was closer.

This may look odd at first. I was sitting in my backyard trying to find something to sketch. So, in a very unladylike manner, I threw my leg up onto the table and sketched. Luckily no one can see into our backyard as I would never sit like this in public!! Could you imagine doing this at a restaurant? Of course, I would hope you would be inspired to draw something other than your foot!


Decided to add watercolor, even though it wasn't watercolor paper. The plants in the background are supposed to be my tomato plants and that is asparagus in the very back, next to the wall. Edited out were my rosemary, chives, and parsley. The gray of the concrete didn't scan well, so it loses a little of the depth.

So, how often do you resort to your hands and feet?

Moleskine Exchange, First Entry

This was not easy for me! I had already felt the block coming, then to receive Dan's moleskine...it was enough to send me reeling into the abyss. But, I've done a lot of thinking about that block and this is what I decided- Focusing too much on learning watercolor, I was doing quick sketches in order to add some color and play with the paint. It doesn't sound like a bad thing, does it? But, by doing quick sketches and immediately going to the painting, I was never allowing myself to get into the sketch zone. (Saying that reminds me of the "Suck zone" from the movie Twister!) It didn't take long to loose my rhythm, and the pencil began to feel awkward in my hand. I learn a lot by watching Wil, and I noticed that even though he paints, he still does a lot of sketching. I never realized that I could be doing art everyday, and still not be doing enough drawing to maintain skill. I need to paint to get better at painting, but still need to sketch to not get worse at sketching! And a good sketch is important to a good painting!

So this is what I initially showed Dan as my first entry. I was excited that he noticed how I played with the light to which he had hinted with the sunglasses on his figure. Because the lady I drew had her back to that light, I pushed her sunglasses up on her head, then added the shadows. He noticed that I had kept it in pencil and asked what my thoughts were on that. Well, my thoughts were that I hoped he wouldn't notice!! Or that he would choose to ink that himself because my pen and I hadn't been getting along very well! I knew it needed to be inked though, so I did go back and do it. Luckily I didn't make a mess and I do think it looks better now.



Deciding what to add to Dan's drawing was very difficult for me. Did I want it to be more of a montage of sketches? Should I start telling a story? Of course, crazy ideas popped into my head, playing with scale, putting bizarre people in the background. The possibilities were endless and overloaded my brain! So, I just decided to keep it simple. Dan's figure was turned and I felt she needed to be looking at something. Perhaps it is not the most creative solution, but considering my recent state of mind, it needed to be simple. Maybe next time I'll pull out the wild card!

Where did the beginning of March go?

Sorry for the lack of posting lately. It isn't that I haven't been drawing-I have! But, a lot has been copying the works of other online artists whose work I enjoy. I can't post those. Plagiarism and all.

Another thing slowing me down is the writing part of blogging. It makes me procrastinate. I wrestle with words; we have a tumultuous relationship. Sometimes they come easily, sometimes they don't. I do better when I'm reading a lot, but that hasn't been the case lately. Too busy sketching!

Yesterday I drew a very loose pencil sketch of my husband tilling the soil in our garden. It had energy and I was excited by the results. I sketched it in my exacompta sketchbook which takes light washes fairly well. Then I started adding a little watercolor. Starting with my husband, things were going fine. But then I came across a portion of the page which must have had something on it because it didn't want to accept paint. I wish I had left just my husband, the tiller, and the dirt painted because I couldn't fix the sky and the fence after that fiasco. I went over my pencil sketch with a micron pen in sepia because the loose pencil lines got lost in all the mess. The paper will fall apart if I do any more, so it must stay this way.

This little girl is Sarah, my uncle's Mexican chihuahua. She's taller the most chihuahuas you see in the US, and doesn't have that roundness at the top of her skull. And unlike most chihuahuas, she rarely barks. That's my kind of dog! This is done in my moleskine sketchbook in pencil, with a little bit of colored pencil added. I don't like the way it scanned. In my sketchbook, it doesn't appear to have the dark dark outlines. I think it's because I did a little with black colored pencil, which scans better than the graphite pencil. This was done from a photo, fairly quickly. I tried not to get too fussy with it.

These two sketches are also in my moleskine sketchbook. (You probably remember the watercolor dude-thing, whatever he is, he got taped in here a while back.) I drew the girl from imagination with my Lamy Safari fountain pen and noodler's eternal black. After it dried, I added tone with a uniball micro which is water soluble, and then brushed with water.

The cat is Eddie, the one that adopted us last summer. We couldn't let him in our house because of our other cat, so we found him a good home with one of our neighbors. He is now a very happy, and spoiled cat who refuses to take one step out their door! I think his previous owners may have abandoned him and he's afraid it will happen again. He's done in 3B pencil.

This month marks the end of my first year of blogging and being a member of EDM. To celebrate, I'm preparing a give-away. I have three books and the winner will get to choose the one they want. I should have that post up in the next day or two. Hope you'll check back soon!

Oh, one more thing! For those of you who haven't already heard, Dan and I have started a new blog to showcase a project that we've started together. We are mailing a sketchbook back and forth from Florida to Texas. Our purpose is to challenge ourselves to improve, and stretch ourselves as artists. There is something about doing these exchanges, which pushes you to do your very best. It will be nerve-wracking at times, but that is the very thing that makes me try harder. We hope you'll stop by to visit, here.

Portraits, doodles in watercolor

Remember this ? I was afraid to paint it "at the moment", and though I said I would be getting to it right away, I lied. I only did this last night. The background was too intense so I did a glaze over it to tone it down. Let me just say, I find red hair extremely difficult to do. It was much darker than this in reality. And I'm still trying to figure out how to do shadows on people. Do you go with more saturated skin tone color, or do you add blue, or what? How do you create your shadows? Overall I like this. I just don't look at it too closely because my inner critic will begin picking it apart.



Okay, this, this is someone I love and miss very much. I wish she lived closer and that I could see her more often. It is done from a dark photo of her in a cave, where details are often hard to discern. Like the glasses on her head. They just looked like a continuation of her hair in the photo. I almost didn't even notice them, except she had weird-shaped hair which would never happen in reality because she's beautiful, always. I only see a resemblance here. She may not even think it looks like her at all. Especially the skin tones! I'm still having difficulty getting those down correctly, so her beautiful glowing tan looks more like a sunburn! So my message to this person is, don't be offended, I'm still learning here! Oh, and LOVE YOU!


I went back to this and toned down the background with a glaze. Thanks Dan for the suggestion! There is some improvement, though I think it may need another glazing. I'll probably just leave this one alone though. Never was too excited about it to start with!






This ocean scene is only about 1" X 3". I did it for study purposes only and from imagination. I wanted to get better at doing clouds and this is the one, out of about five, that I liked best. I got the idea for doing it from Barbara Weeks. She did some really great studies at the beach.

I've also recently been awarded the Over-the-Top award by Jennifer Edwards, and the Sunshine Award by Cathie Tonkins. I haven't forgot about these; I promise to get to them soon! Thank you both for thinking of me!

A Glorious, Sunshiny Day!!

The sun came out and I could think of no better way to celebrate the occasion than to lie down in the grass, smell the earth, and soak up some of that precious vitamin D I've been craving! (well, no better way that was practical at the time!) Of course, I had my sketchbook with me, much to the dismay of my fellow celebrator!


This began as a blob of paint that I used to test the paper of a new journal I got from Hobby Lobby-- a 7" X 10" spiral bound Canson Mixed Media journal. About a week later, I was wanting to doodle but felt stymied by the blank white page, so I flipped back through previous pages looking for a place to stick a doodle. That is what all the mini portraits were about...fear of facing a new white page, and instead of jumping in there, I found small places on previous pages to cram in some sketches. Well, at least I did draw! And the picture above is that fearsome blank white page.


This is another of those tiny portraits I did. An inchie. It is loosely based on Capt Elaine's profile photo. Really, I should say "influenced by" because I really, really felt like drawing and I saw her icon and in a couple of seconds had this down. I know Elaine has to be thinking, that doesn't look like me at all! And she would be right. I was basically jotting down the composition, maybe we could just call it taking visual notes. I loved the way the dog came out.


I caught this guy's profile for only a second. I was happy with how well I caught his likeness. Only, he was walking, and was wearing an orange jumper. I didn't get any of that down fast enough so I made up this little scene. The orange came out a little (lot) stronger than I like. I think I'll go back and change the color of the background. There's too much competition with his face.

Mini Portraits

I profess no political ideologies with this sketch. President Obama's photo was there and I was looking for something to sketch. I didn't get a very good likeness. In fact, I was pretty careless about it. His eyeslant was actually the opposite of what I drew, but I couldn't change it since I sketched in ink first. The sketch is approx one inch by one inch.


This was sketched while I was watching Coraline. It is supposed to be her, though when I added the watercolor, the ink was not yet dry and it messed up her nose and her hair doesn't look as blue anymore. This is also quite small at about an inch high. Has anyone seen this movie? I was a bit shocked by the dancing ladies scene and had to go see the rating on it. It's PG-13, not G! The artwork was great, I just wasn't very keen on the story.



This guy, also only an inch in width, is from imagination and was sketched with my Pentel Pocket Brush. I cannot sketch from life with this pen! With all of the blind contours that I've done, I've trained myself to rarely look at the page. But, when using a brush it seems like you need to pay attention to how thin or how fat a line is; this isn't something that I have a "feel" for yet. Do any of you out there draw with your Pentel brush pen while not looking at the paper? Is this a skill you can develop with practice?

There is something about me that I'm just starting to recognize. It seems that if I say I'm going to focus on one thing, I end up doing the opposite! For instance, I said I would focus on tone with pencil for the year; but suddenly I hardly want to mess with sketching at all I'm in such a rush to get to the watercolors. If I say I'm going to focus on learning watercolors, suddenly all I can do is sketch! It makes me feel like I can't move forward. Is it fear or is it boredom, or is it that I like to do it all and need variety?

I've also noticed that I'm starting to doodle more in watercolor. This is new to me, since I normally doodle in ballpoint or pencil. I like that change. I also like these tiny little messy portraits.

Well, I hope everyone has a wonderful Valentine's Day!

It's A Stormy Day

I don't mind that it's storming on my birthday even though it means that the trip to the zoo will be postponed for a couple of weeks and the mall will be postponed until tomorrow, maybe the next day. You may be thinking, "but you'll be inside at the mall", but let me tell you this isn't just rain! This is a you-might-have-to-disconnect-the-computers, and put-the-car-in-the-garage-to-protect-from-hail-damage type of storm! It's dark outside at 11am. Yesterday we had a funnel cloud and the weather guy said more of the same today. No worries though, I LOVE storms, as long as they don't hurt anyone!



So yesterday I spent my day practicing drawing with a pen. I have become dependent on my pencil, and its eraser! The first two drawings are from morguefile, reference numbers 209473 and 618871. The girl saluting was done with my Lamy Safari, non-waterproof ink, which I then added water too. She was backlit by the sun. The second was with my Pigma Micron 01 in sepia. I randomly placed the figures from the photo. Sketching with a pen is so unforgiving! And I don't really like my line work in ink. I'll keep practicing though.




Okay, on to today's confession. I tried, I really tried, to paint loosely. I just blobbed on the paint at first. But, I didn't get that loose look, I just got a mess which I then felt I needed to clean up. There must be more to this loose look than I realized! I really disliked the outcome and kept adding to it in hopes of saving it. I'm really disappointed with the ink line that I added. I don't think that helped at all! And unfortunately, this little experience has me petrified to add color to the sketch of people at Rudy's. Because I really like that sketch and don't want it to be destroyed. Even though I have it immortalized on the internet...oh, okay, it's just a sketch and I can do more of them. I'll never learn if I don't do!!

Portrait de Sandra

I really really like the work of Wendy MacNaughton. She doesn't post often enough to feed my addiction to her, but when she does I'm in heaven. If you've never seen her work, you should definitely check it out! That said, the drawing of the man with the pipe, and the drawing of the lady are both my attempts at her style. I haven't even come close. I'm new with color and not nearly as spontaneous with my line. I've also done many copies of her work, which I won't post because, well, it seems more like plagerism and I wouldn't want to offend her.

Both of these are done with Lamy Safari fountain pen, noodlers black ink, and watercolor on the second.

The portrait of Sandra was taken from a photo found on flickr here: http://www.flickr.com/photos/spock27/1388070521/ Spock27 has some great photos!